advertisement

In the realm of "Hold," water goes beyond its conventional boundaries, assuming a central role that echoes the multiplicity of its essence. Huda's introspective exploration delves into the intricate connections that water weaves among us—geographically, biologically, and ecologically. The exhibition is an ode to the fluidity of existence, where each installation and concept is a testament to Huda's ability to capture the intangible.

"Hold" isn't merely a title for the exhibition; it's a word chosen with purpose. Huda explains, "Hold feels like a word that expresses the multiplicity of water." This chosen word encapsulates the very essence of the exhibition—water's ability to hold and transmit information as it traverses diverse landscapes, embodying a universal connection that goes beyond the boundaries we construct.

The exhibition further unravels a narrative that challenges conventional boundaries between bodies, memories, and environments. Huda expands her definition of "body" beyond human forms, encompassing all kinds of bodies. She notes, "Our skin does not separate us from the environment we live in, or the structures we build." The artworks, such as the intriguing "Wild Wild Water (ink and ice)," become not just visual spectacles but records of specific moments, capturing dynamic interactions and traces of earlier pieces.

Water, in the world of Huda's art, emerges as more than an element; it transforms into a collaborator and, at times, the artist itself. "In the works we have here, water is in some ways the artist too," she reveals. Her unique collaboration with water challenges conventional notions of creation, where the artist's role is often singular and dominant. Waiting, reiterating, and focusing on differences become integral elements, allowing her to observe and learn from water's intrinsic nature.

The abstraction of water through ethics and aesthetics becomes a focal point in Huda's recent works. By resisting the reduction of water to a mere utility or commodity, she prompts viewers to acknowledge its multiplicity. Rust, leaks, peels, molds, and drips—visual narratives within the exhibition—challenge preconceived notions of water as a mere infrastructure. Huda urges us to reconsider our perception of water, emphasizing, "When we abstract water, reducing water to H2O or categorizing water as a mere utility and ultimately a commodity, we take the place out of water."

In the artist's own words, "By de-centering myself in the making, and letting water have more agency in the work, each piece has non-verbal information—signs and clues of water knowledge—that we all can learn from." "Hold" becomes not only an exhibition but an immersive experience, inviting viewers to witness Huda's artistry and prompting a profound reconsideration of their relationship with the environment.

As Huda eloquently puts it, "Learning from more-than-human can teach us multiple ways of knowing and better ways of being in the world." In "Hold", Huda extends an invitation to embrace the perspectives of water and, in doing so, find new ways to navigate the intricate tapestry of our existence.

Her exhibition "Hold" will be open until December 20th at the 350 Gallery in Male’, offering art enthusiasts an opportunity to immerse themselves in the diverse perspectives and expressions showcased by Huda.