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Her striking sculpture, which blends Maldivian tradition with Picasso's ceramic style, stood out among the works showcased, earning her the top accolade in her first exhibition.

Raya's piece features four elongated figures of Maldivian women dressed in Dhivehi libaas, the traditional attire, with vibrant colours and graceful forms that embody both cultural pride and the resilience of women. The inclusion of a kasabu tool, used for intricate decorations, highlights the craftsmanship and creativity of Maldivian women.

“With my artwork, I hope to represent the strength, resilience, and contributions of Maldivian women throughout history,” the description plaque near the sculptures reads. It's is a tribute to the often-overlooked roles women have played in the fabric of Maldivian society.

Raya’s work goes beyond aesthetics. She said she wanted to capture the untold stories of Maldivian women, whose contributions were essential not only in the household but in the community.

“In the past, fishing was our way of life. While men were known for bringing the fish home, it was the women who cleaned, smoked, and prepared the catch of the day. This was more than a side task—it was vital to the community’s survival and economy.”

Through her sculpture, Raya captures this hidden labour, portraying women as vital figures in their families and the community. “I wanted to show how brave and creative and patient Maldivian women have always been,” she says, emphasising that their labour and perseverance enabled communities to thrive.

Her connection to the art world started at home, encouraged by her creative family. Now working as a ceramic artist at Joali Maldives, Raya has found ceramics to be the perfect medium for expressing the strength and resilience of Maldivian women. Her process, much like the women she depicts, requires patience and dedication. “It’s a long process, first you sculpt it, then you put it in the oven, then you glaze it and put it back in the oven,” she says.

Raya’s Grand Prize-winning sculpture portrays women as the backbone of Maldivian society, their elongated necks symbolising grace and dignity. Each figure represents a different aspect of Maldivian women’s lives – from household responsibilities to their contributions to the local economy.

“They were also very creative,” Raya notes, adding that the kasabu tool included in the sculpture symbolises the traditional weaving and craftsmanship of Maldivian women.

As the Through The Eyes of Picasso exhibition continues, Raya’s work stands as a powerful tribute to the legacy of Maldivian women. Her sculpture not only honours the past but also inspires future generations to recognise their own strength and ambition.

The Through The Eyes of Picasso exhibition, featuring Raya’s award-winning sculpture among other works, is currently being held at the National Art Gallery in Malé, running till 10th October.